Mongolia is changing rapidly. The nomadic population is moving into the tall skyscrapers of Ulaanbaatar, reshaping modern Mongolia. This transformation—between spirituality, shamanism, and capitalism—is narrated with affection and passion by Mongolian filmmaker Lkhagvadulam Purev-Ochir in Ser ser salhi – City of Wind, presented at the 80th Venice International Film Festival.

The Mongolia of Dschurukuwaa is changing, perhaps slowly but surely. The new Mongolia is narrated with affection and passion by the Mongolian director Lkhagvadulam Purev-Ochir in the film Ser ser salhi – City of Wind – City of the Wind, presented at the 80th Venice International Film Festival.

Mongolia has the charm of virgin land to discover, fantastic, and especially magical.

Magical for its natural dimension, a vast steppe, a torrid summer and a cruel winter. The inhabitants have a deep and devoted spirituality. In a harsh, lonely world, inhabited by tough people, with a fascinating but also ruthless nature, the excess of spirituality could be a shock for a wealthy spoiled conformist enlightenment French person in a depressive crisis. It happens in Corine, in the film Un monde plus grand - A Bigger Worldby director Fabienne Berthaud, presented at the 76th Venice Film Festival.